The RAW output from the FS5 is 12-bit and that is significantly better than the 8-bit recordings you get in UHD. Here’s my problem that I haven’t really found and answer for yet I hope I can get your expert advice on this. On the Sony F3 as of firmware update version 1.4 the slog gamma curve became available through the picture profile settings. Clear editor. Display as a link instead, × Also for: Pxw-fs5k. Hi, I'm new in this forum and to the Sony FS5.I have to shoot a documentary in low light soon.I have read a lot about the problems of noise or artifacts on the FS5, I would like to shoot in Slog mode (2 or 3 ?) Low Light As for low lights, there is a clear difference between both cameras. So what can you do if shooting in low light? Would you recommend I do raw through SLOG3? January 24th Solar Storm Aurora Pictures and Video. Sign In. Copyright 2010-2021 EOSHD.com Hope you find the video useful! While the FX6 fits seamlessly into a pro-cine on-set workflow, it also offers several features that are a boon for a single-operator user. DSM-U84 Battery for PMW-200, EX1, F3 etc. As for low light, the Canon C100 is surprisingly (for a 5 years old camera at the time of this article) good all the way to its max ISO with a clear image and a minimum of noise. 4K Exmor sensor with 12M pixels The PXW-FS5 sensor is the same used on the PXW-FS7 with 14 Stops of dynamic range and wide color range. Or is possible to get the same benefits going through SLOG2 and (if I’m not mistaken) be able to choose between SLOG2 and 3 in post production during debayer and get the same benefits. Shooting a wide-angle night exterior at an f/4 at 0dB, the images were clean with very little image noise. I recommend you set the camera to gain rather than ISO as the ISO’s for each each gamma curve are different, so it can be difficult to understand how much gain is being added, especially if you are switching between gamma curves. The native sensitivity is easily set by setting the cameras Gain/ISO selection (in the camera menu) to Gain and to set … The A7S is so sensitive because it’s sensor is 1.5x bigger than the sensor in the FS5 and as a result the pixels in the A7S are almost twice the size, so are able to capture more light. Use it on an FS5 with a speedbooster and the same thing happens, all of the light is compressed down, which makes it brighter and all of this now brighter light falls on 4K’s worth of pixels. For the Sony FS5 vs a7S II: A Low Light Comparison test video both cameras were set to record 4K XAVC internally to the SD card at 100Mbps in 8-bit 4:2:0 colour. By having the ability to shoot up to ISO 16,000 with little to no noise reduction required, low-light video shooters will have a much easier time filming their subjects without having to worry about image degradation and detail loss. I recently purchased a Sony FS5 video camera. By I would encourage you to watch the video to really see it on your screen, but the a6300 has an image that holds up all the way to 25,600 ISO (the camera can’t go higher in s-log3) while the FS5 is pretty much unusable after 8,000 ISO. Video cameras are least sensitive in the blue channel. When using any of the 709 or Cinegamma curves a bit of gain can be used, but I wouldn’t go above 12dB as above this the NR starts to introduce a lot of smear and this than makes it hard for any post production NR processes like Neat Video to do a decent job without the image turning into a blurry mess. I know you’ve mentioned before that SLOG3 has a slight edge in data in the shadows because of a slight knee in the shadow curve on SLOG2. Focus, Zoom, Iris, Interaxial. It will of course go up to 960fps but IQ and resolution suffer. Very, Very, Fast Offloads. From the outside it looks little different to the Sony FS5. LUT’s from Sony for the FS5. Sony builds its predecessor, the FS5 II, as a small body super 35 cinema camera. Thank you for the advice . For many years now, Sony has had great success in selling REC709 TV cameras to the broadcast market, and clearly, having a consistent ‘look’ across the whole range was important. Notify me of follow-up comments by email. PP2 will crush your shadows giving less to work with in post. The PXW-FS5 is a pretty good camera overall. If shooting in very low light then you are quite probably going to want to use some noise reduction tools in post production. The biggest performance gains are to be had from using a very fast lens and then making sure all the light from the lens is used, none wasted. The lamp on the train is an 18K HMI and the oil lamps contain 60W bulbs if I remember right. Although with a low light, low contrast scene none of the picture profiles will be significantly different from the others with the exception of PP2, PP7, PP8 or PP9. The third camera in Sony’s Cinema Line, the Sony FX6 is a full-frame cinema camera that's lightweight and fully featured. The FS5’s light weight and highly compact form factor makes it great for handheld operation. The FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a range of settings using a base ISO of 800 as well as an ISO 12800 high-sensitivity mode for nuanced low-light scenes. Take a look at the opening scene of “The Assassination of Jessie James By The Coward Robert Ford” for an idea of how to do it. It’s unfair to compare the FS5 to Sony’s α7S II’s full-frame 12-megapixel sensor, but it still fared well. Today3D FIZ controller. For FX9, FX6, FS5, FS7, F55, A7S, A7R. The FX6 comes with all of the bells and whistles that the FS5 II, but has a larger sensor, new media options, higher frame rates, XAVC-I 10bit 422 internal … Picture Profile Settings PP6. 7 stops of variable ND gives outdoor shooters loads of latitude to keep the f-stop low. Rubbish. 3: You must NEVER use gain or anything other than the base ISO when shooting raw. Keep to Slog2 and use cineEI if you must. The newly announced Sony PXW-FS5 Professional camcorder is like a hybrid of the venerable FS700 of 2012 and last years darling the Sony FS7. You can post now and register later. × This site uses Akismet to reduce spam. Includes minus green LUTs. Nevertheless, the EVA1’s noise patterns tend to look a bit video-ish when compared to the Sony FS5, so keep that in mind when shooting in low light with the V-Log profile. This is because the lens has a fixed light gathering capability. Previously it had been a paid upgrade as part of the RGB upgrade upon initial release. Weighing just under 2 lb, the FX6 body is a full 2 lb lighter than the FX9 and measuring 6 x 4.6", it packs a full-frame sensor into a body comparable to the S35-sensor Sony FS5. New addition to Sony’s Cinema Line On The Way. Weighing just under 2 lb, the FX6 body is a full 2 pounds lighter than the FX9 and measures 6 x 4.6". In low light with a fast lens the FS5 is a great tool. 2: 12 bit linear Raw has some limitations in the amount of data in the deepest shadows. Aliasing and Moiré. You need to deliberately overexpose while working with high native ISO's (ISO 2000 instead of the standard native iso of 800). Thank you again and I read every single one of your blog posts . Hi, I'm new in this forum and to the Sony FS5. Cheap, but not nasty tripod. If you use a tungsten light which is predominantly warm/red to get a good white balance you have to increase the gain of the cameras least sensitive and as a result most noisy blue channel. I would shoot up to 25,600 ISO with the a7S II on a news or documentary shoot at a push. But just in case yo haven’t worked it out already, I’ll say it one more time: The lens is the most important bit! I’m sure you are already aware of this, but for the benefit of others that might read this: 1: Raw won’t make the camera more sensitive or improve it’s ability to shoot in low light. What settings would you recommend? The light is split evenly across 4K’s worth of pixels. There is no miracle cure for shooting in very low light levels. For best results in very low light, try PP3 (Rec 709/Pro). The A7S is so sensitive because it’s sensor is 1.5x bigger than the sensor in the FS5 and as a result the pixels in the A7S are almost twice the size, so are able to capture more light. PXW-Z280 and Z190 Firmware Version 4 Adds RTMP Streaming. The Ultimate Exposure Guides for Sony Cameras FX9/FS5/FS7/F5/F55. Using LUT’s on set and in DaVinci Resolve with the PMW-F5/F55/F3 and FS700. what do you think ? I have gone into settings and tr … read more You want to capture as much of the available light as you can and squeeze it down onto the FS5’s sensor. to take advantage of large range in post-production, is it a bad idea ? The PXW-FS5 also offers a 4x & 8x Focus Magnification window, which the user can reposition, for precise manual focus checking and adjustment. I’d much rather have loss in information in the highlights than the shadows for this but I don’t want to have less flexibility in post with the standard 50mbps files that we get from standard profiles. Use it on an A7S and all of the captured light is passed to all of those big pixels on the sensor. One of our favorite features on the Z190 is that you can assign each one of the two record buttons to a different SD card. The Camera for news and journalists? Press the WB SET button on the front of the camera. But you will have a problem if you start trying to lift the shadows to pull more detail out of them. Transvideo PMW-F3 replacement base assembly. At the end of the film we are going to have a scene where the main character is in the forest with a camping lantern heading towards a mysterious bright glowing light deep into the forest. Setting 7, 8 and 9 are typical S-Log settings and when using these, you need to spend some time in post processing to get them look good. u/Tork28 - the a7S II has a 30 minute recording time limit and the FS5 II is not that good in low light.. Sony also includes their electronic variable ND filter first released in the FS5. The lens is THE most important factor in low light. Michel Balut, When shooting in SLOG, avoid exceeding 19db of gain (3200 ISO). To do a manual white balance, set the WHIT BAL switch on the side of the camera to either A or B (you can store two manual WB settings). The Preset Switch is controlled by the Camera Menu: CAMERA PAINT/WB PRESET. Strip off the top handle and hand grip and it’s small enough for almost any gimbal and very popular as a drone camera. and for a shoot in normal light ? Wifeng WF717 Tripod.   Your link has been automatically embedded. Alphatron EVF-035W Viewfinder Video Review. Sony A7 III, A7R III, A9 Low Light Settings.   Pasted as rich text. “Neat Video” works very well at cleaning up a noisy image as do the various NR tools in the paid versions of DaVinci Resolve. View alister.chapman.9’s profile on Facebook, View 101038509040449127781’s profile on Google+. On the PXW-FS5 the native sensitivity is set ISO 3200 with Slog-3. So light it properly and print down and you will be OK. for direct download and use in Resolve, Final Cut Pro X, Adobe Premiere and others: Sony S-Log 2 LUT and Sony S-Log 3 LUT and An Introduction to Log Shooting But it also suggests that it is only around half as sensitive as the king of low light, the Sony A7S. The FS7 will only go up to 180fps BUT it is continuous and in full 1080 HD. So I would probably avoid these. New addition to Sony's Cinema Line On The Way. 4: PP7 is the recommended profile to use when shooting raw, however it is also possible to use PP8 and PP9. TV Logic VFM-058W compact 1920 x 1080 video monitor. So to answer your question: If you really, really are shooting at plus 2 stops and then printing down the entire scene in post, background and shadows as well, then you won’t have a problem. In good light conditions, you generally want to keep your ISO level down for optimal file quality, then set the desired shutter speed and aperture according to the type of subject (still or … But if you do it all well you end up with a great image that is very kneadable in post. Shooting in low light with modern video cameras is often challenging and a recent shoot at the Chinese New Year lion dance at Bristol's Wapping Wharf was no exception. With Sony’s latest and greatest mirrorless releases of the a7R II and a7S II, this line has been blurred even more, and this is the reason we set out to determine if these supposedly lower-end 4K video-recording options can hold up when put side by side with one of Sony’s professional 4K video cameras, the FS7. How is working autofocus from FS5 with Speed Booster type adapter?! Required fields are marked *. Picture Profiles – Crispening _ How to clean up your image. Upload or insert images from URL. I’ve never shot raw but my understanding is that on the FS5 the best settings are through pp7 Slog2 and.cine color profile. Atomos Adds Raw Over SDI For The Ninja V via the AtomX. These post production  tools work best when the noise is clean. Feel free to post up any questions you might have. Low-light performance on the FS5 was adequate. It makes setting the exposure a whole lot easier.Gamma Display Assist can be turned on in the viewfinder menu. So get the biggest, brightest, most powerful lamp you can for the mysterious light coming through the trees. If you are thinking of using the Sony f4 lens for very low light… well frankly you may as well not bother. Although the FS5 II’s ISO limits are clear, it’s incredible to see just how far you can push the camera’s ISO. PXW-FS5 camcorder pdf manual download. True! The exposure rating of 800 ISO for the standard rec-709 picture profile tells us that it is a little more than twice as sensitive as most old school shoulder cams. But it must be understood that 12-bit RAW is not as good as the 16-bit RAW available from high-end cameras like Sony’s PMW-F5 or F55 when used with the AXS-R5 or … The bad: Expensive, no IBIS, 4K is only 8 bit 4:2:0, poor battery life, terrible menus, dreadful low light performance (tested versus the a6500). With the Sony FS5, no moire is produced in the footage. What is it and what can be done about it? When I go up to Norway to shoot the Aurora I use f1.4 and f1.8 lenses. New Venice Look LUT's Version 3. ND The FS7 has a built-in ND filter with the following settings - Clear, 1/4, 1/16 and 1/64. Low Light Performance. Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window), Click to share on LinkedIn (Opens in new window). × Page 3 Sony FS5 Kit Camera and Lens Batteries and Chargers Condenser Microphone There are two BPU 60 and one BPU 30 battery. Learn how your comment data is processed. Page 1 Sony FS5 Quick Start Guide...; Page 2 This is a professional HD and 4K camera with broadcast quality codecs. Unfortunately you need Canons ff leses to use the speedbooster and most of them aren’t made for Video like the sony 28135 on a ff camera. I plan on shooting the whole thing in CDNG RAW for as much bit rate and color depth as possible but I’m really afraid of having noise in the shadows. I have Nikon 24-70/2.8 , did you tested? So don’t go crazy with the gain or use very high ISO’s as the post production NR won’t work as well on footage that already has a lot of in camera NR applied. This works well for most situations and it will help limit the noise levels as it keeps the saturation fairly low keeping the noisy blue channel in check. The other settings 1 through 6 are more common. what do you think ? You can use them ‘out of the box’. This is perfect timing as I’m shooting a short horror film in the fall with the FS5. Beyond this your next step would be adding an image intensifier for that green night vision look.   Your previous content has been restored. This will add more noise than if you use a daylight balance light as for daylight you need less gain in the noisy blue channel. AF with adapters and 3rd party lenses is never good. The area of his face will be expose properly with and in post bringing everything down 2 stops with an input lut but I’m afraid of shadow noise on areas that are almost completely black. Does this bake the SLOG2 gamma into the raw? Point the camera at a white card with light falling on it. By that I mean well defined. I have to shoot a documentary in low light soon. But it also suggests that it is only around half as sensitive as the king of low light, the Sony A7S. The smaller pixels are about half as sensitive, but now the light is twice as bright, so the end result is similar. A little handheld camcorder that itself has become incredibly popular. 8K, 10 bit Mirrorless Camera. Instead, I recommend a $1,995 Pocket Cinema Camera 6K and a $929.69 Amazon renewed Sigma 50-100mm lens with a 90 day warranty.You'll also need an external battery solution and a monopod, but you should be able to put the whole package together for around … We usually use our main Sony Fs7 camera in the flat profile Cine EI SLog3 mode, which is fantastic for daylight filming due to its massive 14 stop dynamic range. Suddenly we had a … Continued If you are adding any light use a daylight balanced light where you can. But don’t use too much gain or too high an ISO as this will affect you ability to use some of the very good post production noise reduction tools that are available. When adjusting the FS5’s setting, it’s important to understand the best possible images will almost always come from using the FS5 at its native sensitivity. The log curves in PP7,8,9 will roll off the darkest parts of the image, again giving you less in post. These To reset the picture profile to the default images have low contrast, that make live setting. Venice is way to heavy for documentary work and quite expensive.. The verdict: The FS5 is great, but you might not need it. But with the right lens and a speedbooster the FS5 can do a very good job. Sony has included their HDR workflow, called HLG. None of the profiles make the camera more sensitive, the sensitivity is governed by the sensor itself and all the profiles do is alter the way gain is distributed across the image. The FS5 will allow you to shoot at 240fps in full 1080 HD but it does so using an 8 second buffer. New s709 LUT For The FX6 and FX9 That's Less Green Than The Sony LUT. If you have an account, sign in now to post with your account. Sonnet QIO Review. JVC-HM650 Review. January 16, 2016 In: Cameras. Basically LOG on any camera is good for dealing with high DR.. if there isnt any .. its not always the best call data distribution wise.. esp with low light scenes.. with F5/55 I would go to one of the Hypergamma setting .. (Cine Gamma Fs5).. very little data in low light with Slog.. Be careful with the Fs5.. A7, A7S, A7R and other ALPHA series cameras. In the FS5 (FS-5) camera there are 9 default profile settings available. Note: Your post will require moderator approval before it will be visible. Powered by Invision Community. Sony's LOG profiles loves light, it excels in high-key shoots but falls short in low-light areas. So for my particular example, since I’m shooting 12 bit RAW, I know you said Sony recommends going through PP7 SLOG2. Accsoon Cineeye 2S Wireless Video Link with Streaming Function. Element Technica Micron Shoulder Mount System. ; Page 4: About This Guide About this guide • This guide explains the basic … In this round, it’s a draw, both cameras handle moire like champs. The FS5 starts to look noticeably noisy the moment you get over 3200 ISO. ISO is an exposure rating, it is not a sensitivity measurement. Compared to cameras from 6 or 7 years ago it’s actually pretty sensitive. View and Download Sony PXW-FS5 operating manual online. Very overpriced given today's camera market. I bought a Sennheiser ME66 shotgun mic to go with it. Restore formatting, × The final test for both cameras was to shoot a subject lit by overhead lights only in order to asses overall color and skin tones. Use gain and you will have a good idea of the noise levels as every time you add +6dB the image becomes one stop brighter and you double the noise in the image, +12 dB is 2 stops brighter and 4x noisier than 0dB etc.
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